French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.  Related Paintings of Nicolas Poussin :. | St Cecilia | Venus and Adonis | The Triumph of Pan | Et in Arcadia Ego | Landschaft mit dem Hl. Matthaus |
Related Artists:
Jose Joaquim da Rocha
painted Coronation of Our Lady in 1790
Judith leyster
1609-60 Dutch painter. She painted genre scenes, portraits and still-lifes, and she may also have made small etchings; no drawings by her are known. She specialized in small intimate genre scenes, usually with women seated by candlelight, and single half-length figures set against a neutral background.
Jean Baptiste Isabey
French Painter, 1767-1855, Painter, draughtsman and printmaker. He trained in Nancy with Jean Girardet (d 1778) and then with Jean-Baptiste-Charles Claudot (1733-1805), master of the miniaturist Jean-Baptiste Augustin. In 1785 he went to Paris, where he began by painting snuff-boxes. In 1786 he received lessons from the painter Francois Dumont, who had also studied with Girardet in Nancy, before entering the studio of David. Although he had received aristocratic commissions before the Revolution to paint portrait miniatures of the Duc d'Angouleme and Duc de Berry and through them of Marie-Antoinette, he did not suffer in the political upheavals that followed. He executed 228 portraits of deputies for a work on the Assemblee Legislative and from 1793 exhibited miniatures and drawings in the Salon. Success came to him in 1794 with two drawings in the 'maniere noire', The Departure and The Return. This type of drawing, using pencil and the stump to simulate engraving, was very fashionable in the last years of the 18th century and reached its peak with Isabey's The Boat